About the Book
Table of Contents
Part I
Part II
Part III
Part IV
Part V
Part VI
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Vol.6: Time and Eternity
Part II
THREE TREES:
AND ISRAEL'S HISTORY
Table of Contents
Introduction
Chapter 1. History inThree Dimensions
Chapter 2. The Vine and Israel's
National History
Chapter 3. The Olive and Israel's
Spiritual History
Chapter 4. The Fig Tree and Issrael's
Religious History
Epilogue
Publishing History:
1961: Doorway Paper No. 16, published privately by Arthur
C. Custance
1977: Part II in Time and Eternity, vol.6 of The
Doorway Papers Series, Zondervan Publishing Company.
1997: Arthur Custance Online Library (HTML)
2001: 2nd Online Edition (design revisions)
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INTRODUCTION
DURING THAT
period in the history of biblical research when the Higher Critics
were enjoying their heyday of recognition, and before most of
their more rash prognostications had been exploded by the findings
of archaeologists, it was customary to ascribe the various books
of the Bible to more and more authors as the years rolled by.
In time we had not one Isaiah or one Moses but many Isaiahs and
Moseses! The Pentateuch became indeed a Mosaic.
With characteristic wit and insight,
Punch in London was moved to observe that the Higher Critics,
using their fertile imaginations with an ingenuity worthy of
Scotland Yard, had come to the very learned conclusion that the
first five books of the Bible were not written by Moses at all,
but by another man of the same name.
But as Paul says in 2 Corinthians
13:8, one can say nothing against the truth but for the
truth. Truth has such a nature that every challenge to it is
in the end bound to be a vindication of it. Consequently, while
a very large proportion of the findings of the Higher Critics
have long since gone by the board or carry weight only with those
who share their sentiments with regard to Scripture, their scholarship
was undoubted, and some at least of their findings served to
stimulate evangelicals to re-examine the text of some parts of
Scripture a little more carefully.
It seems likely now that the Critics
were not altogether wrong in arguing that Genesis bore signs
of multiple authorship. Not unnaturally, they took this to mean
that these were in reality late documents organized into a single
whole and ascribed to Moses in such a way as to give the impression
that Moses was indeed their author. Many evangelical scholars
re-examining this evidence came to the conclusion that what Moses
really did was to set forth in a connected narrative form a transcript
of some eleven ancient
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documents, each of which
was written by a contemporary of the events recorded who then
signed himself as the author in the familiar words: "This
is the history of Adam," ". . . of Noah," ".
. . of Shem," etc., or more familiarly, "These are
the generations of. . ." It appears that the word generations
may equally well be rendered "history," being a
collective word. It may be for this reason that while Moses was
the editor of Genesis, he was not strictly its author and while
tradition ascribes Genesis in its present form to Moses (a tradition
which was never challenged in the New Testament) no quotation
from Genesis is ever introduced with the words, "As Moses
said. . .," or "As it was written by Moses. . ."
If this is true, then the writing
of Scripture occupied not merely something less than two thousand
years from Moses to John, but something more nearly approaching
four thousand years. No other book has ever taken so long to
write. Yet it appears in our hands today to be one book with
a single philosophy of history, a single value system in judging
human conduct, a single answer to man's need, and a single picture
of what God is like.
This Book was not written merely
by approximately forty people as we commonly understand it, but
rather, if Genesis really does comprise eleven successive records
handed down and accumulated from Adam to Moses, by forty plus
eleven people -- a fantastic number of authors to contribute
to a volume so obviously organically one.
Consider, for example, that for
the average Englishman the nine hundred years since William the
Conqueror invaded his country in 1066 represent an enormous span
of time which encompasses the coming and going of a great company
of people who experienced during those centuries continuous and
profound changes in cultural values, social habits, literary
forms, and vocabulary transformations. Some of these took place
so rapidly that a few centuries made the older forms of words
almost unintelligible to the later generations. Many people,
perhaps one should say almost everyone, finds Shakespearean English
confusing and Chaucer almost impossible. But for thousands of
years God raised up men who added their words to a growing Holy
Scripture without their contribution seeming in the least bit
foreign to its spirit or its language.
What is even more surprising is
that this great array of authors by some strange tacit agreement
-- an agreement which was made in secret and never once referred
to in writing -- undertook to use certain symbols with certain
meanings that were not self-evident and could be understood only
by those with spiritual discernment --
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always in precisely the
same ways. Yet, if possible, an even stranger circumstance surrounds
this silent agreement. Some of these symbols refer to objects
of everyday experience (such as rocks, deserts, rivers, trees
and so on), yet even when these are used in this literal sense
their symbolic significance is effectively preserved.
There are a number of illustrations
of this, but we are concerned here with only three of them. These
are three trees: the vine, the fig and the olive. Whether used
symbolically or (as will be shown) in recording actual events,
their secret meaning is preserved intact throughout the Scriptures
from Genesis to Revelation. For all this, not one of the writers
who used them ever took the trouble to state explicitly that
he was making his use agreeable to that of previous authors.
It seems to me that this circumstance
is one of the strongest proofs of the inspiration of Scripture
from a single source, a proof doubly strengthened by the fact
that no attention is ever specifically drawn to it in Scripture
itself. It is stamped with that kind of truthfulness that characterizes
the words of a child who is quite unaware that anyone might question
what he is saying. It is completely without guile.
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Copyright © 1988 Evelyn White. All rights
reserved
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